Monthly Archives: February 2012

Wands of Cure Light Wounds

I had no idea this was “a thing.” Well, I knew that many magic items in 3E are basically pickled spells (potion of enlarge person, wand of lightning bolt, etc). I saw “wand of CLW” mentioned in some blog post, and I didn’t know what that was, so I did a web search. That led me to this thread with 200+ posts on the Paizo forums: The world without Wands of CLW.

Really, this is the “15 minute adventuring day” discussion in another guise.

For example, consider this post. He only sees three options: going back to the town after every encounter, having a healing surge mechanic, or having lots of magic items with healing powers (e.g., the wand of CLW). It never seems to occur to this person that another option is smart play so that characters are not always harmed.

From my point of view, it seems like many people no longer want to play games of adventure, they want to play games of combat. Combat games, coupled with campaign play, lead to a desire for consequence-free combat. Hence the desire for all the healing mechanics.

Here is another example from that thread:

Keep in mind that nobody said that having a purely support cleric is unneeded, but that cleric isn’t a healbot, yes he will do the occasional emergancy healing in combat but most of his time he will be removing conditions, buffing his allies and debuffing his enemies and between combat he will use wands of CLW to heal the damage of his allies because after UM even his channels might be more benefit for him in-combat.

No mention of problem solving, or exploration, or interpersonal interaction. This is not meant to be edition warring, more like edition exploration. This attitude is just very foreign to how I have experienced tabletop RPGs.

Left at the Dungeon Door

This article over at EN World, Combat as Sport vs. Combat as War, has been making the rounds of the OSR. It is a great article, and very insightful. I highly recommend that you read it if you have not. I originally saw the link in a post by Zak, which means you probably already have too. As you might suspect, I am in the combat as war camp, though since I am running a 4E hack game right now, aspects of both approaches make strong appearances.

But that is not (mostly) what this post is about.

Deep into the pages of responses that article generated the original author threw this out:

How I’m planning to start my next campaign is to have the PCs hired as henchmen by NPC adventurers. The PCs and their bosses march through the forest and then the NPCs leave the PCs outside the dungeon to watch their horses while they delve. Then the NPCs never come back. What do the PCs do?

What a wonderful campaign seed. I want to make sure it does not get lost.

Terrafugal Rope

A terrafugal rope is a length of rope (usually fifty feet) made of an unknown but vaguely silky material. These items fall up rather than down. If you release a terrafugal rope outside under open sky, it will fall up to the heavens, never to return. Terrafugal ropes will lift items less than their own mass, and will also function as negative encumbrance (that is, they will lighten loads by their encumbrance value).

Sages say that terrafugal ropes are:

  1. Woven from the manes of flying horses
  2. The uncoiled internals of antigravity plates from before the cataclysm
  3. Possessed by lobotomized air elementals
  4. Sky-serpent tadpoles planted in the underworld that yearn for the heavens
  5. Crafted from moon-grass smuggled from lunar enclaves
  6. A common magical research project for undergraduate magic-users

This was somewhat inspired by the light-seeking floating stone head in Pod-Caverns of the Sinister Shroom.

Alignment Musings

Alignment is not something a character can be, alignment is a characteristic of a larger reality which a character can participate in. This is the way I am coming to see alignment. My largest influence has probably been LotFP alignment though my final conception ends up being slightly different.

But I’m getting ahead of myself. What was alignment originally? Men & Magic, page 9:

Before the game begins it is not only necessary to select a role, but it is also necessary to determine what stance the character will take – Law, Neutrality, or Chaos.

That’s it. The only other relevant pieces of information are the categorization of monsters by alignment and the wargaming context of alignment as affiliation (which side are you on?). That quickly expanded into the five-fold (Holmes) spectrum and the nine-fold (AD&D) two dimensional alignment plane, blending the dimensions of law/chaos with good/evil. And once B/X was published, the clear endgame became expanding the domain of law into the wilderness (by building and managing a stronghold). Though some would argue that this was also implicit in the original 3 LBBs. I am not sure Gary ever really saw evil and chaos as all that distinct. Here he is writing in The Temple of Elemental Evil (T1-4, page 27):

The cult was based on the premise that the elemental forces of the universe are Chaotic and opposed to mankind, and are thus (from a humanocentric viewpoint) Evil.

That seems to me perfectly in line with the original conception of alignment presented in OD&D, but with more knobs and switches bolted on.

So how have some of the recent games, specifically LotFP, tweaked this original concept? Well, for one thing, they have marinated it thoroughly in Lovecraft and sanded off some of the Moorcockian Eternal Champion edges (i.e., forces dedicated to maintaining the balance between law and chaos). Here’s the LotFP text (Rules & Magic, page 21):

Alignment is a character’s orientation on a cosmic scale. It has nothing to do with a character’s allegiances, personality, morality, or actions.

In LotFP, magic-users and elves are inherently chaotic because chaos is the source of magic. Chaos is also about destruction, entropy, and unmaking. Clerics are inherently lawful, because law is about conforming to a perfect and eternal plan. The vast majority of mortals are of alignment neutral, which has nothing to do with balance (or really anything else).

Another interesting take on alignment is contained in the Carcosa supplement (also heavily influenced by Lovecraft). Carcosan alignment has to do with one thing and one thing only: stance toward the Old Ones. Those who serve or wish to use the Old Ones are chaotic, those who fight them are lawful, and any person who doesn’t care one way or the other is neutral. In some ways, this is similar to the old wargaming conception of alignment. This is different than the “cosmic faction” style of alignment though because the Old Ones don’t really represent a faction. Neither side, either chaos or law, is organized at all. (I talk more about Carcosa here.)

The LotFP and Carcosa alignment systems are what I would call heuristic-based. By this I mean that there is a simple and objective test to determine where a character falls on the alignment spectrum. The advantage of these systems is that they do away with moral ambiguity with regards to rules adjudication and character decisions. Any use of magic in a LotFP game, even it is purely defensive or used to assist another, is a chaotic act. This is very clever, because it is simultaneously atmospheric and in service of game play.

That brings us to an interesting point. So far I have been writing about what alignment is but not so much about why we should care about it. This is a game, and rules must serve the game in some way. If alignment does not interact with the rules of the game, then it is just one more descriptive element added to give color and depth (like the color of your character’s eyes). Alignment does interact with the rules traditionally in several different ways:

  1. Spells like detect evil and protection from evil
  2. Ethos classes: paladin, monk, druid, ranger
So, any approach to alignment must either handle or jettison those links. LotFP and Carcosa handle number 1 by, as specified above, an objective heuristic. Is it magic? Then it is evil/chaotic and should be detected (or whatever). Is it in service to the Old Ones? Same deal (though most of the traditional spells don’t exist on Carcosa). Number 2 they punt on, by basing themselves on the B/X dialect of D&D (and thus not including any of the ethos classes).
In AD&D, paladins must be lawful good, rangers must be good (disposition to law and chaos is irrelevant), druids must be true neutral, and monks must be lawful (disposition to good and evil is irrelevant). The alignment restrictions are meant both to emphasize the class flavor and to serve as a downside to balance some of additional powers provided. This is really where the biggest practical problems with alignment arose; the referee was required to police character action in order to make their code have any meaning. If the paladin deviated, they were supposed to lose their powers or be required to atone in some way. Since the power of a character was at stake, it is unsurprising that this often led to conflict about the nature and definition of various alignment positions. What is a truly good or evil act? Do the ends ever justify the means? Etc. Resolving some of the perennial questions of philosophy became necessary to adjudicate basic questions about the rules!
The ethos classes don’t necessarily need to be connected to alignment, however. Concern for balance could be thrown out, or the classes could be balanced in different ways. Or they could have a more concrete set of rules to follow (e.g., the ten commandments). I’m not sure any class design intended to restrict player agency will ever really be a good idea, but I’m willing to suspend my final judgement. Maybe someone can do it well. Personally, I think it would be interesting to potentially shoehorn the ethos classes into the three-fold alignment system with the paladin and monk being lawful. The druid and ranger could be chaotic. A while back, I also wrote something about making the paladin into something like a B/X prestige class.

Incidentally, there is one other conception of alignment that I think is intriguing. It is best expressed by the post Conan and Alignment over at Blood of Prokopius. Seriously, go read that post now if you haven’t. In the schema of Conan and Alignment, law and chaos are both about people: civilization and the good of the many (law) versus barbarism and individualism (chaos). This is a political rather than a metaphysical conception of alignment, as it is about who rules. This is in contrast to the traditional D&D conception of chaos, which is the wilderness. At the end of that post, FrDave brings the discussion back to sides (i.e., wargaming alignment), but I don’t think that is the right destination. After all, the point is that every political entity goes through these cycles of birth, maturity, decadence, and overthrow. (In a fantasy setting, political entities could obviously be more than just mundane states; think Mordor or even Heaven and Hell.) Someone who is on one side might find that side changing out from under their feet.

FrDave didn’t mention this, but a similar dynamic holds in a frontier setting as well, though it is directional rather than cyclical. Think of the American wild west and manifest destiny. Or the slow expansion of China westward into Central Asia during the Qing Dynasty. (Check out China Marches West by Peter C. Perdue for a fascinating treatment of this history.)

LotFP says: alignment is a character’s orientation on a cosmic scale. This is where my interpretation diverges. I would say: alignment is the character of cosmic reality. Forces can be chaotic, actions can be chaotic, but mortals can only harness those forces or take those actions. Characters can’t belong to an alignment so much as participate in the outcome of reality, which could result in areas of reality tilting one way or another. Action and outcome based, rather than essence and aspiration based. This conception retains many of the characteristics of heuristic-based alignment, however. For example, detect evil and protection from evil can continue to work in the same way. But characters never have to pick an alignment. They only have to decide whether or not that want to channel the dark entropy from beyond.

And finally, as mentioned above, dealing with the change of PC alignment was always awkward. Following this version of alignment has the nice side effect of circumventing that problem while still providing all the other benefits of alignment rules (being able to use protection from evil, compatibility with other products, adding to the danger and atmosphere of magic, support of the wilderness rollback endgame).

Note: I’ve been working on this post for a while, but was finally spurred to finish it by this post over at Unofficial Games, and I reused some of the language from my comment there.

9 February 2012 edit: a thoughtful response by FrDave can be found here:

http://bloodofprokopius.blogspot.com/2012/02/on-alignment-and-character-morality.html

Overusing Dice

Revisitation: a series of posts that each feature a quote from a classic source along with a short discussion. Quotes that make me question some previous assumption I had about the game or that seem to lead to otherwise unexpected consequences will be preferred.

From the Rules Cyclopedia, page 148:

New Dungeon Masters often make the common mistake of using random dice rolls to determine everything. An entire evening can be spoiled if (for example) an unplanned wilderness encounter on the way to the dungeon goes badly for the party. The DM must use good judgment in addition to random tables. Encounters should be scaled to the strength of the party and should be in harmony with the theme of the adventure; whenever possible, they should be worked into the story the characters are playing out.

Likewise, the DM may choose numbers instead of rolling for the amount of damage, number appearing, etc. This may be necessary to allow for a more enjoyable game; heavy damage early in the game may spoil the fun.

It’s always interesting to see divergences from current dogma in older books. In this case, the difference really is dramatic. This advice is exactly the opposite of what many people now would consider to be old school play. My RC has a copyright date of 1991. Is it possible that the Second Edition ethos has already begun to infiltrate the basic line by this point? I’m not familiar with the Mentzer boxed sets, so I’m not sure if this language originally showed up there as well.

In any case, I can sort of see the argument for adjusting encounter strength. I am not in favor of that now, but I don’t think it fundamentally changes the game. But choosing numbers instead of rolling for damage? Seriously? Talk about moral hazard.

Loviatar 6 & Lycanthropes


Loviatar 6 has three features: Hex 002 in what I am going to call the Haldane Hexcrawl and two sets of characters for other modern RPGs (Chaosium’s Basic Roleplaying and Vampire: The Requiem).

I’m going to talk about the hex first, as I am primarily a D&D player. This hex feels like it has slightly less content than Hex 001, and it doesn’t have any mechanical innovations like the hex reward from Hex 001. That being said, it does have a very interesting twist with some lycanthropes which can result in some dramatically different outcomes based on player choice. This particular encounter also got me interested in checking out the old basic D&D splatbook Night Howlers (no mean feat). I’m also really digging the small gods vibe. It reminds me of kami from Japanese mythology and Shinto. This is the perfect scale for divinities in a hexcrawl.

There is a gothic (in the sense of literature) undertone to much of Christian’s work. Little tragic vignettes that on the surface seem prosaic or even bland. A pig farmer’s cart. A homestead off the beaten path. What lurks beneath is dark though, and not in terms of monsters (though there are some of those). Instead, the darkness is often human darkness like a crime or a jealousy.

I also love how actions in one hex affect adventuring in other hexes. For example, some entries in the random encounter tables are shared, and if they were defeated before they won’t show up in the current hex. In these hexes there are encounters that I imagine players may not investigate thoroughly (or just miss). In those cases, it would be interesting to keep a running list of “open loops” and periodically update their status. This would mean that the course of the PCs would always have consequences, even if that course entails avoidance or ignorance. Loviatar 7 (which should be making its way toward me as I write this) is entirely dedicated to Hex 003, which I am looking forward too.

I wonder: might we ever see some Haldane underhexes? By underhex, I mean dungeon content of course. I think such a feature would make a great addition to a future issue of Loviatar.

Now a bit about the BRP and Vampire features. Both are essentially collections of modern NPCs detailed for systems I don’t use. However, both ended up being directly useful. The rat breeder in the BRP feature is going straight into my current D&D game. One of the Vampire characters (Terrance specifically) also gave me an idea. I haven’t worked much with explicit themes before in games. Vampire (the game) says it is “about” retaining humanity. But what does that really mean? I would argue that it means finding a way to maintain yourself while in a bad situation, often (but not always) of your own making. Thus, the change from being a human to the drives of vampirism. This parallels how bad choices work in the real world. In more extreme cases, this bad choice is something like getting involved with a criminal organization. Or it could be an addiction that sprung up from just one sampling (because everyone has illusions of control). Once you are in, it is much harder to get out.

I am not generally a theological person, but this strikes me as a good description of evil: short term gain with willful ignorance of longterm cost. The devil always offers power, status, and satisfaction. Temptation. At least to begin with. The true implications only become salient later, both from abstaining or indulging. Encounters with these sorts of consequences would be very interesting, and nicely sidestep common RPG challenges (direct problem solving, mechanical combat). Not that there is anything wrong with the common challenges, but you know what is said about variety.